Born into slavery around 1853-4 on a cotton plantation in Benton, Alabama, Traylor has become one of the most important self-taught artists of the twentieth century, and certainly one of the most celebrated African-American artists, along with Thorton Dial and William Edmondson. The story of Bill Traylor s life and work is a remarkable one. It is a story that deserves attention both nationally and internationally.
This publication, generously illustrated with full-page high-quality reproductions, provides a close examination of Traylor s recurrent themes, composition schemes, favoured iconography, and contextual information related to the artist s biography, creative process and tools, visual environment, and artistic mindset.
Each artwork is considered in a context beyond that of an isolated image and in response to one another, forming a series of intricate and consistent narratives, intriguingly cinematic in its development. The elements of Traylor s biography are the anchors of an individual mythology. Instead of merely being a basic depiction, the subject becomes a visual statement structuring Traylor s mind, bringing together hidden symbols from Kongo Vodou, Hoodoo, Southern Baptist, Freemasonry, and Blues sources, as well as layers of references: slavery, uncensored violence in the Jim Crow era, and turbulence within the black enclave known as Dark Town in Montgomery, Alabama.
Text in English and French.