PORTRAIT

Portraits, this book suggests, unlock the paradoxes of subjectivity. Nancy shows how the portrait, far from conveying a sitter’s self-sameness, is suspended between proximity and distance, likeness and strangeness, representation and presentation, the faithful and the forceful. A portrait can identify an individual, but it can also express a more complex double movement of approach and withdrawal. Portrait comprises two extended essays in close conversation, written a decade apart, in which Nancy considers the range of aspirations articulated by the portrait. Accompanied by three dozen illustrations, it also includes a new preface written for the English-language edition and a substantial introduction by Jeffrey Librett, which situates the work within a range religious, aesthetic, and psychoanalytic accounts of the subject. Portrait is grounded in a bold and searching engagement with the traditions out of which our thinking about the subject has emerged. It is also a playful series of readings that draws on a wide range of portraits: from carvings on ancient drinking vessels to recent experimental or parodic pieces in which sitters are rendered in the ‘media’ of their own blood, germ culture, or DNA.