RITUAL AND PERFORMATIVITY - THE CHORUS IN OLD COMEDY (HELLENIC STUDIES SERIES)

In this groundbreaking study, Anton Bierl uses recent approaches in literary and cultural studies to investigate the chorus of Old Comedy. After an extensive theoretical introduction that also serves as a general introduction to the dramatic chorus from the comic vantage point, a close reading of Aristophanes' Thesmophoriazusae shows that ritual is indeed present in both the micro- and macrostructure of Attic comedy, not as a fossilized remnant of the origins of the genre but as part of a stillexisting performative choral culture. The chorus members do play a role within the dramatic plot, but they simultaneously refer to their own performance in the here and now and to their function as participants in a ritual. Bierl's investigation alsoincludes an unparalleled treatment of the phallic songs preserved by Semos.